The first three notes tell you everything. Two hands, four grim octaves, played in fortissimo. Not so much a melody as a warning.
I’ve only just begun the seventh measure when the water starts. A fat drop bounces off the piano lid and I lean forward, feeling it’s a sign – at last, I have managed to play each note with such accuracy and purity that something has been moved. The next drop slips between F and G, followed by two more drops in quick succession.
I remove my glasses and look up.
An ancient crack runs at a diagonal across the ceiling, splintering on its way to the chandelier. Back along the crack, water pools from a quarter-sized patch of plaster above the piano.
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